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Accent
Selection
When
selecting an appropriate item, be aware that the tree is the
dominant piece in the display. The accent is there to enhance
it – not overpower it. It is also better to select an item
that exists in the same area as the tree. It is a contradiction
to have a tree from a high mountain aspect presented alongside
a lush plant from a valley bottom unless you can picture a
very wide expanse!
In order to decide where the focal point is, the same process
can now be applied to the proposed accent item as was applied
to the tree. This must be ascertained, whether it is a suiseki,
a plant, or any other item you may choose. The movement depicted
by a figure could be the direction of the gaze.
These
actually contribute to the picture; they are not just scattered
randomly to brighten the bench. If plants are used, these
should also look established; a planting of geranium looks
fine, but if an attractive grass comes up in the same pot,
it gives the semblance of something that nature has created.
It is often not necessary to plant this extra item – nature
is likely do it for you if the original planting is well established.
If
the tree points to the left, then the accent selected will
normally point to the right. If the tree points to the right,
then the accent will normally point to the left. If placed
carefully, they should both focus on a single point in space.
This point is normally between the two items, but if there
is space enough to allow, it could be to the right or left
of both, in which case both items will point the same way.
Whatever is chosen, the focal point must be in space.
A plain background is also essential – there must be no distractions.
Since we are not trying to create a real picture, it is not
necessary to use items that scream reality. Scale is not vital,
so long as the accent does not overpower the scene.
If
a tree in full flower is used, the thought process gives the
next stage – dead flowers and decay. If a tree is used with
a few flowers and a myriad of buds, the viewer can picture
the next stage, in full bloom with a few petals falling around,
perhaps with the birds singing.
A
few pebbles arranged carefully can depict a babbling brook,
and the mind can hear the soothing sound. A bronze quail implies
autumn, when they glean the grains dropped during harvest.
A heron brings thoughts of summer, catching fish for the chicks.
There
must be something for the imagination to do.
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