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Common Name - Red Hawthorn
Latin Name - Crataegus monogyna
Flowering Period - May

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Height -
50 cm.
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Source -
Japan
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Pot - Walsall
Studio Ceramics
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Care
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Imported
from Japan in 1997, this material is completing the
circle. It is not indigenous to Japan, having been exported
from Europe many years ago, before the Japanese put
a barrier on importing foreign plants. Unusually, it
is not a grafted tree, but is probably an air layer
on its own roots. Most examples of this material produced
in this country are grafts, and it is virtually impossible
to visually reduce the scar. This plant is very easy
to grow, re-adapting to the English climate very happily.
The leaves tend to be a bit larger than the wild, white
variety, and the flowers can almost be regarded as gaudy,
being full double red, with a white centre and white
edges to many of the petals. This is not a variety that
produces fruit as far as I can ascertain - it certainly
doesn't for me!
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I find it dries out fairly quickly,
but this may be due to the open soil mix as much as the large
leaves. The drying out does not seem to bother it a great
deal; it still throws a dozen or so 25 to 30 cm. shoots throughout
the summer. I wait until these reach the plant next to it
on the bench (about 25 cm.) and then I prune. Removing these
extension growths encourages more buds throughout the plant,
some of which will be flower buds. If pruning is done too
early during this extension, the effect on the plant is less,
and the reaction is to make fewer new buds. I will usually
cut this growth in the upper parts back to about 2.5 cm.,
while on lower branches I will leave 4-5 cm. I do not prune
at all after late July, allowing all my trees free growth.
This growth will be dealt with after leaf-fall in the autumn
as part of the normal shutdown for winter.
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The trunk
is substantial, although there are several large open
areas where branches have been removed. Each time I
treat these areas by exposing the cambium and applying
cut paste, snails climb the plant to eat the paste,
removing it every time (See photo - traces of cut paste
are still visible). On some plants this year I have
tried pressing slug pellets into the paste in an effort
to stop them.
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The branches are, as yet, quite
juvenile. The growth is so vigorous that small twigs are still
not appearing, so I must attempt to slow the growth down.
I will reduce the soil particle size, maybe put it in a shallower
pot if I can find one suitable, and reduce the frequency of
watering as much as I dare without risking the health of the
plant. I will also cut out the spring feeds, but continue
with the late summer and early autumn feeds. Fertilizing in
spring makes the current growth more lush, while applying
it in the autumn promotes the buds for the following spring,
making them more numerous. I don't feed while the tree is
actually in flower, so in May and June it will just get Maxicrop.
It is possible that without the
energy provided by the large shoots, there might not be so
many flowers. Most plants have to go through a number of phases
to reach a particular stage. This one is at "branch phase",
where the priority is to create the correct vegetative growth.
Once this has been achieved, a switch will be made to "twig
phase", followed by inducing flowers again.
Feed this year is a chicken based
pellet available from most garden centres, alternated with
Bio-gold. I give one of these as a solid feed on the first
Saturday of each month, leaving last month's application on
as well for another month. I also water every Saturday with
a mixture of fish emulsion and Maxicrop. In September/October
I soil drench three or four times with a solution of ash made
from burnt leaves. This increases the potash level, and counteracts
the acidity built up due to constant feeding through the summer.
Wiring is something I do not do
with deciduous trees: I just clip and grow. The care I give
generates an abundance of buds that precludes the need for
wiring them.
Repotting is done as the buds change
colour in the spring, about every two to three years. The
pot was commissioned for the tree from Walsall Studio Ceramics,
and is unusual for them in that it has a high gloss glaze,
which I prefer for flowering trees. The flowers make this
quite an eye-catching plant to have around, but this particular
specimen still has a very long way to go before it will ever
appear in any exhibition. It also does not get a favoured
spot in the garden, but is grown against a West-facing fence.
I turn it and all my trees 180° every Sunday. The spots in
full sun are reserved for the more mature trees, although
given space I would not shade it at all. I do not give this
plant winter protection from cold - only from wet if I can
fit it under a plastic roof I have in the garden.

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